The film operates within strictly heteronormative structures. While it depicts intense, parasitic intimacy, these bonds are framed as supernatural predation rather than queer identity.

Power dynamics center on a male-dominated theatrical troupe. Female characters remain on the periphery, as the core conflicts and agency reside almost exclusively with male protagonists.

The cast is predominantly white and Anglo-Saxon, reflecting the homogeneous demographic of 1895 London. There is no significant inclusion of characters of color.

The narrative disrupts Victorian moral certainties by embracing moral relativism. It prioritizes the truth of the artistic experience over established religious or social institutions.

There are no prominent depictions of physical or neurodivergent disabilities. No such traits serve as central drivers for the plot or characters.