The film follows a strictly heteronormative romantic triangle. There are no depictions of non-cisnormative identities or critiques of traditional romantic frameworks.

Christine Daaé serves primarily as a passive object of male obsession. The narrative adheres to traditional hierarchies where the female lead's role is defined by vulnerability.

The production features a homogeneous cast reflecting the Western European focus of 1925. It lacks intentional racial blending or non-Anglo-Saxon representation.

The story functions as a Gothic tragedy rather than a critique of societal institutions. It utilizes the opera house setting to heighten classical melodrama without challenging established norms.

The plot centers on the Phantom's physical deformity. While the character is complex and driven, the portrayal leans into the 'grotesque' archetype to fuel horror.