The film focuses on the historical and cultural preservation of 18th-century Cayor kingdom social structures. There are no documented non-cisnormative gender identities or same-sex narratives present.

Political and religious agency is concentrated among male figures within a traditional West African hierarchy. While Princess Dior Yacine is a central plot catalyst, the film reflects the era's patriarchal structures.

The film excels by utilizing an entirely African cast to portray a pre-colonial setting. It avoids Eurocentric casting, centering the Ceddo people as the primary agents of their own cultural preservation.

The narrative critiques external ideological impositions like Islam and Christianity as disruptive forces. It portrays traditional animist practices as a sophisticated social order defending cultural sovereignty.

There are no prominent depictions of visible or invisible disabilities used as central character arcs or plot devices within the narrative.