
The Usurer
1910

Representation Score
Minimal
1909
NRDirector
D.W. Griffith
Runtime
14 minutes
Average Rating
No ratings yetNew Showbiz Analysis
A Corner in Wheat examines class-based power dynamics rather than demographic diversity. While it does not include LGBTQ+, racial, or disabled characters, it excels in critiquing economic institutions. The film highlights the struggles of the working class to challenge the morality of unchecked capitalist expansion. It emphasizes the plight of underrepresented workers over the celebration of industrial success. Ultimately, the work serves as a social realist critique of how wealth consolidation affects community and family life.
Category Breakdown
The film does not depict any LGBTQ+ identities or queer narratives. Instead, it presents a social landscape that adheres to traditional norms.
Women are shown mainly in domestic settings or as passive victims of economic changes. They act as emotional indicators but have little influence on the economic storyline.
The story focuses on a homogeneous white, rural American population. It does not include non-Anglo-Saxon perspectives, reflecting the limited representation of the time.
The film critiques predatory capitalism by portraying speculators as systemic antagonists. It challenges the notion of the benevolent entrepreneur.
There is no visible or documented representation of physical, sensory, or neurodivergent disabilities in the main narrative.
Present on Screen
Limited or Absent
Official Synopsis
On a whim, a greedy tycoon decides to corner the world market in wheat. This doubles the price of bread, forcing grain producers into charity lines and others further into poverty. The film contrasts the differences between the lives of those who work to grow the wheat and the life of the man who dabbles in its sale for profit.

1910

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1924
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