
La Chienne
1931

1919
Not RatedDirector
D.W. Griffith
Runtime
99 minutes
Average Rating
No ratings yetSynopsis
To recoup losses from the extravagant roadshow presentations of Intolerance (1916), Griffith would revisit his epic film three years later by releasing two of the film's previously interlocked stories as standalone features, with additional footage and new title cards. The second of these was 'The Mother and the Law', which demonstrates how crime, moral puritanism, and conflicts between ruthless capitalists and striking workers cause ruin to the lives of marginal Americans.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film focuses on traditional familial structures under duress. There is no evidence of non-cisnormative identities or narratives critiquing heteronormativity.
Gender Representation
The narrative centers on a maternal figure, suggesting female agency within the domestic sphere. This focus explores women navigating systemic collapse and emotional survival.
Racial & Ethnic Diversity
The cast likely reflects the demographic homogeneity common to 1919. There is no evidence of non-white protagonists or diverse racial casting.
Religious & Cultural Diversity
The film engages with socio-economic tensions by critiquing ruthless capitalists and moral puritanism. It views traditional institutions as oppressive forces against the marginalized.
Disability Representation
No specific evidence exists regarding the portrayal of physical or neurodivergent disabilities within this work.
Strengths
Areas for Improvement
AI Analysis
The Mother and the Law serves as a gritty social critique of the post-WWI American landscape. It moves away from traditional domestic stability to highlight the friction between individual survival and systemic pressures like labor unrest and criminal justice. While the film lacks modern identity-based representation, such as LGBTQ+ or disability narratives, it excels in its early engagement with class struggle. It deconstructs the American Dream by showing how economic and moralistic pressures ruin working-class lives. The film's primary strength is its anti-capitalist lens, framing systemic forces rather than individual morality as the drivers of social dysfunction.

1931

1915

1930

1937

1932

1909

1908

1923

1930

1907

1936

1950
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.