
Traces
1964

Representation Score
Good
2001
Director
Jean-Marie Straub, Danièle Huillet
Runtime
123 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Workers, Peasants is a radical cinematic work that prioritizes class struggle and materialist thought over individual identity politics. Its strength lies in its systemic critique of capitalist structures and its refusal to follow conventional narrative hierarchies. The film succeeds in presenting a unified view of gender through the lens of shared survival and labor. It effectively deconstructs official histories by centering the experiences of the peasantry and the working class. However, the film lacks explicit representation of LGBTQ+ identities and specific disability narratives. Its focus remains strictly on the socioeconomic and physical realities of post-war Italian reconstruction.
Category Breakdown
The film focuses on the physical realities of labor and does not include any LGBTQ+ characters or narratives.
The film presents men and women as equals through their shared experience of manual labor. It challenges the idea of submissive femininity by showing women engaged in hard reconstruction work.
The film centers on the socioeconomic struggles of the Italian working class and peasantry. It deconstructs dominant historical narratives by highlighting the overlooked history of underrepresented workers.
The film critiques traditional Western institutions and capitalist structures by focusing on the dignity of labor. It emphasizes the materialist view of history over institutional leaders.
The film examines the physical toll of manual labor on workers. Although it does not feature characters with specific disabilities, it highlights the bodily vulnerabilities of workers under systemic pressure.
Present on Screen
Limited or Absent
Official Synopsis
A group of men and women have been brought together after World War II, when Italy regained its national and territorial unity. They make up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life, and look to protect themselves from violence, misery and fear. Amid the ruins of this post-war period, these men and women build a new rapport between themselves, between sexes, between generations, between social and geographical origins, between political camps.

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