
Born in 68
2008

Representation Score
Good
1976
Director
Alain Tanner
Runtime
116 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Alain Tanner’s film is a deep intellectual challenge to the social norms of the mid-20th century. It breaks down the stability of Western capitalism through a fragmented, episodic structure that favors flexible, decentralized ways of life. While the film doesn’t highlight racial or LGBTQ+ diversity, it does well in depicting gender dynamics and critiquing consumerism. The characters’ rejection of conventional stability is a key theme. Overall, the film explores individual alienation within a rigid social structure, focusing more on existential questions than traditional storytelling.
Category Breakdown
The film doesn't focus much on non-binary or same-sex relationships. It focuses more on a general sense of unease rather than specific LGBTQ+ issues.
Women like Myriam and Marie have significant independence, choosing unconventional lifestyles or resisting consumer culture. The film avoids typical gender clichés, emphasizing women's autonomy over traditional roles.
The cast is mostly white and European, focusing on a 1970s Swiss context. There isn't much diversity in terms of race or ethnicity.
The film provides a detailed look at Western capitalism and its institutions, showing how communal living can be a response to an oppressive system.
There are no prominent portrayals of physical or mental disabilities. Characters face psychological isolation, but there is no direct focus on disabilities.
Present on Screen
Limited or Absent
Official Synopsis
A look at the lives of several men and women in their 30s as they confront the slim gains of the "revolutionary" sixties. Max, a dissatisfied copy editor; Myriam, a redhead into tantric sex; and Marie, a supermarket checker who gives unauthorized discounts to the elderly, search for renewed meaning on a communal farm. The title character, a six-year-old child, is the carrier of their hopes for the future.

2008

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1969
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