His Days Are Numbered
1962
No user ratings available yet
Diversity score: 4.4 out of 10
You are here:
Find another title
Type to search for movies. Use arrow keys to navigate suggestions, Enter to select, Escape to close.
The Working Class Goes to Heaven
1971
Director
Elio Petri
Runtime
113 minutes
Average Rating
No ratings yetSynopsis
After losing a finger in a work accident, an Italian worker becomes increasingly involved in political and revolutionary groups.
Where to Watch
Diversity & Representation
Overall Score
4.5/10
Fair
Category Breakdown
LGBTQ+ Representation
The film operates within a traditional heteronormative framework. There is no discernible presence of queer narratives or non-cisnormative identities within the plot.
Gender Representation
Gender is examined through domesticity and industrial labor's impact on the family. While the protagonist's political rise disrupts his wife's stability, the film largely adheres to era-specific gendered divisions.
Racial & Ethnic Diversity
The story is a localized study of the Italian working class. It lacks multi-ethnic complexity, focusing instead on the internal class hierarchies of the Italian state.
Religious & Cultural Diversity
The film offers a profound critique of Western capitalist structures and industrial dehumanization. It uses a Marxist framework to portray the factory and state as inherently exploitative institutions.
Disability Representation
A workplace accident resulting in a lost finger serves as the narrative catalyst. The injury illustrates the physical cost of labor and the alienation of the worker's body.
Strengths
- Uses physical disability as a meaningful tool to illustrate the human cost of industrial labor.
- Provides a sophisticated, systemic critique of capitalist structures and state manipulation.
- Centers the narrative on the unvarnished reality of the urban proletariat.
Areas for Improvement
- Lacks representation of LGBTQ+ identities or non-cisnormative narratives.
- Fails to include multi-ethnic or diverse racial perspectives within the setting.
- Adheres to traditional gendered divisions rather than subverting patriarchal hierarchies.
AI Analysis
Elio Petri’s film is a concentrated study of class struggle and systemic exploitation. It succeeds in using physical injury as a tool for political agency rather than mere sentimentality. However, the film lacks the intersectional breadth expected in modern cinema. It remains tethered to the social norms of 1970s Italy, offering little representation for LGBTQ+ or multi-ethnic communities. Ultimately, the work prioritizes a critique of capitalist institutions over a diverse spectrum of human identities, making it a specialized political text rather than a broad social tapestry.
Similar Movies
Mother Küsters Goes to Heaven
1975
No user ratings available yet
Diversity score: 4.9 out of 10
Bicycle Thieves
1948
No user ratings available yet
Diversity score: 4.7 out of 10
Antonio Gramsci: The Days of Prison
1977
No user ratings available yet
Diversity score: 5.1 out of 10
Germinal
1963
No user ratings available yet
Diversity score: 5.7 out of 10
Red Desert
1964
No user ratings available yet
Diversity score: 4.0 out of 10
They Don't Wear Black Tie
1981
No user ratings available yet
Diversity score: 4.7 out of 10
The Merchant of Four Seasons
1972
No user ratings available yet
Diversity score: 4.6 out of 10
Il Grido
1957
No user ratings available yet
Diversity score: 4.1 out of 10
Class Relations
1984
No user ratings available yet
Diversity score: 5.1 out of 10
Christ Stopped at Eboli
1979
No user ratings available yet
Diversity score: 5.9 out of 10
Struggle in Italy
1971
No user ratings available yet
Diversity score: 4.9 out of 10
Rate this Movie
Reviews
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.