The film follows a strictly heteronormative framework. It lacks any representation of non-cisnormative identities or same-sex intimacy.

Gender roles rely on traditional Gothic archetypes. Female characters often function as damsels in distress, while power and decision-making remain centered on male protagonists.

The ensemble is predominantly white and of European descent. This homogeneity reflects the period setting and standard conventions of the Gothic horror genre.

The story operates within Western moral frameworks, pitting scientific rationalism against religious authority. Religious iconography is used as a functional tool rather than a subject of critique.

There is no focus on physical or neurodivergent disabilities. No characters with such traits are featured as central agents in the narrative.