
The Round Up
2010

Representation Score
Limited
1966
Director
Miklós Jancsó
Runtime
91 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Round-Up is a historical drama that emphasizes systemic critique over individual character development. Its demographic diversity is limited by its 19th-century Hungarian setting, leading to low scores for gender and LGBTQ+ representation. However, the film excels in cultural representation. It avoids simplistic heroic clichés, instead offering a sophisticated deconstruction of how revolutionary movements can mirror the oppressive structures they aim to replace. Ultimately, the film's strength lies in its intellectual engagement with power dynamics rather than its breadth of human identity representation.
Category Breakdown
The film follows a traditional framework that assumes everyone is straight or cisgender. There is no representation of non-straight or non-cisgender identities.
The story focuses on a male-dominated military structure. Women are shown mostly as passive subjects or part of the peasantry.
The cast is ethnically uniform, reflecting the 1848 Hungarian setting. However, the struggle against imperial power offers a subtle look at ethnic identity.
Jancsó critiques institutional power through moral relativism. Political institutions and 'righteous' authority are portrayed as inherently flawed and cyclical.
There is no significant representation of characters with visible or invisible disabilities.
Present on Screen
Limited or Absent
Official Synopsis
After the failure of the Kossuth's revolution of 1848, people suspected of supporting the revolution are sent to prison camps. Years later, partisans led by outlaw Sándor Rózsa still run rampant. Although the authorities do not know the identities of the partisans, they round up suspects and try to root them out by any means necessary.

2010

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1956
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