The film contains no discernible LGBTQ+ characters or non-cisnormative identities. It adheres strictly to the heteronormative social structures typical of 1940s cinema.

Narrative agency is concentrated entirely within male figures, including the scientist, treasure hunter, and the Phantom lineage. The plot focuses on masculine competition and physical struggle.

The narrative utilizes indigenous groups through a colonial lens, treating natives as a collective force to be managed. The story prioritizes Western explorers over the local population.

The film reinforces Western institutional values, framing scientific pursuit and centralized leadership as inherently positive. It lacks any anti-Western or anti-capitalist sentiment.

There is no evidence of characters with visible or invisible disabilities. The story focuses exclusively on physical prowess and navigating the jungle environment.