New Showbiz

You are here:
Our Daily Bread

Our Daily Bread

1949

Director

Slatan Dudow

Runtime

105 minutes

Average Rating

No ratings yet

Synopsis

A story about a family after the Second World War. The petty bourgeois cashier Karl Weber of Berlin observes from a distance how his son Ernst participates in the building of a new socialist society. Karl does not understand Ernst's visions, instead he confides in his other son Harry. However, Harry becomes involved in illicit business and Karl quickly realizes that it would be best to join his son Ernst in the citizen-owned factory.

Where to Watch

Diversity & Representation

Overall Score

4.6/10

Fair


Category Breakdown

LGBTQ+ Representation

Minimal

The film lacks LGBTQ+ characters or narratives. Character dynamics remain centered on traditional familial structures within a post-war German setting.

Gender Representation

Fair

Women are primarily depicted in domestic or labor roles necessitated by post-war scarcity. The film follows traditional gendered divisions of labor without significant subversion.

Racial & Ethnic Diversity

Limited

The story reflects the demographic homogeneity of post-WWII Berlin. It focuses on internal German class struggles rather than racial or ethnic intersectionality.

Religious & Cultural Diversity

Excellent

The narrative critiques capitalist structures by promoting socialist solidarity and collective ownership. It prioritizes secular, collective action over individualistic or religious pursuits.

Disability Representation

Minimal

There are no prominent depictions of physical or neurodivergent disabilities. No such traits serve as central character arcs or drive the narrative forward.

Strengths

  • Provides a rigorous critique of capitalist structures and bourgeois socioeconomic hierarchies.
  • Promotes socialist solidarity and the value of collective ownership through its narrative architecture.
  • Effectively uses class struggle to redefine social value and historical progress.

Areas for Improvement

  • Lacks representation for LGBTQ+ identities and non-heteronormative narratives.
  • Maintains traditional gender roles and does not subvert the gendered division of labor.
  • Reflects the demographic homogeneity of its era with little racial or ethnic diversity.

AI Analysis

Slatan Dudow’s film is a focused study of class struggle rather than a broad exploration of intersectional identities. It succeeds in its specific mission to deconstruct bourgeois socioeconomic hierarchies and promote socialist progress through the lens of a changing German society. While the film lacks representation for LGBTQ+ individuals, diverse racial groups, or people with disabilities, it offers a robust critique of capitalist morality. The tension between individualistic illicit business and collective factory ownership provides a clear ideological framework. Ultimately, the film's strength lies in its cultural and political messaging. It trades traditional identity politics for a rigorous examination of systemic power and the evolution of social value through the proletariat.

How are these scores produced? →

Similar Movies

Movie poster for Kuhle Wampe or Who Owns the World?

Kuhle Wampe or Who Owns the World?

1932

No user ratings available yet
Diversity score: 4.9 out of 10

Rate this Movie

No rating selected
Use arrow keys to select a rating from 1 to 5 stars
Optional text review, maximum 2000 characters
Tip: Wrap spoilers with ||double pipes|| to hide them
0/2000 characters
You must be signed in to submit a rating

Reviews

No reviews yet. Be the first to share your thoughts on this movie!

Use the rating form above to leave a star rating and optional review.