
This Is Not a Film
2011

1968
Director
Leobardo López Aretche
Runtime
102 minutes
Average Rating
No ratings yetSynopsis
In the summer of revolt 1968, student Leobardo López Aretche captured the protests in Mexico City, and the state’s brutal response, up close – and like many of his subjects and fellow comrades, would pay a high price for his audacity. Fifty years later, his movie is no longer a secret.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film lacks verifiable LGBTQ+ character arcs or non-cisnormative gender depictions. The narrative focus remains on the broader political struggle rather than specific identity-based subplots.
Gender Representation
The documentary captures women within protest movements and the societal fallout of state violence. However, it does not explicitly focus on subverting gender hierarchies as a central pillar.
Racial & Ethnic Diversity
The film centers Mexican student movements and indigenous/mestizo demographics. This provides high agency to non-white subjects, portraying them as primary drivers of historical change.
Religious & Cultural Diversity
The narrative prioritizes the collective struggle of the marginalized against established power structures. It frames the state's response as an oppressive force through a lens of systemic critique.
Disability Representation
There is no documented evidence regarding the portrayal of neurodivergence or physical disabilities as part of the narrative's agency or character development.
Strengths
Areas for Improvement
AI Analysis
Leobardo López Aretche’s documentary is a vital historical record of the 1968 Mexican student movement. It excels at disrupting Western-centric historical canons by centering non-white agency and the struggle against state-driven conflict. While the film provides profound cultural and racial depth, its mathematical score is lowered by a lack of focus on specific identity-based narratives. It functions as a political document rather than a character study of modern identity politics. The work is significant for its portrayal of grassroots mobilization and the friction between citizens and institutional authority.

2011

1968

1974

1968

1964

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1969

2017

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2012

1998
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