The film lacks explicit on-screen identification of non-cisnormative identities. While the 1967 radical peace movement often included queer activists, the documentary does not center specific LGBTQ+ character arcs.

Women appear within the protest movement, providing a visual counter-narrative to the hyper-masculine imagery of the Pentagon. However, the documentary prioritizes the collective mass over individual gendered development.

The footage captures an intersectional coalition of protesters. It highlights people of color participating in civil disobedience, documenting a multi-racial challenge to the era's prevailing social constraints.

The film excels at critiquing Western institutions and deconstructing patriotic narratives. It prioritizes systemic critique and a globalist view of human rights over state-sanctioned authority.

There is insufficient evidence within the footage to determine the presence or portrayal of individuals with disabilities.