
The Mine Wars
2016

Representation Score
Limited
2018
PGDirector
Robert Greene
Runtime
124 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Bisbee '17 is a nuanced historical revision that uses community reenactments to explore power structures. It shifts from conventional narratives to examine the personal experiences of class conflict and systemic violence. The film's primary strength lies in its layered approach to the Arizona borderlands, highlighting the Mexican-American workforce and challenging sanitized versions of Western industrial history. However, the film's focus on industrial labor limits its representation of LGBTQ+ identities and offers limited opportunities for female characters to take significant roles.
Category Breakdown
The film does not include any explicit LGBTQ+ characters or narratives focused on non-straight relationships. Instead, it focuses on the socioeconomic and ethnic dynamics of the early 20th-century mining industry.
The story centers around male-dominated industrial mining and labor organizing. While historically accurate, the film does not give significant roles to female characters in the main labor conflict.
The film stands out by emphasizing the Mexican-American workforce and the impact of the Mexican Revolution. This inclusion challenges simplified historical views and highlights the racial aspects of industrial exploitation.
The documentary critically examines capitalism and state authority, focusing on the struggles of the working class rather than traditional institutional myths. It portrays corporations as agents of systemic oppression.
There is no indication within the film regarding the representation of physical or neurodivergent disabilities.
Present on Screen
Limited or Absent
Official Synopsis
It’s 2017 in Bisbee, Arizona, an old copper-mining town just miles from the Mexican border. The town’s close-knit community prepares to commemorate the 100th anniversary of Bisbee’s darkest hour: the infamous Bisbee Deportation of 1917, during which 1,200 striking miners were violently taken from their homes, banished to the middle of the desert, and left to die. Townspeople confront this violent, misunderstood past by staging dramatic recreations of the escalating strike. These dramatized scenes are based on subjective versions of the story and “directed,” in a sense, by residents with conflicting views of the event. Deeply personal segments torn from family history build toward a massive restaging of the deportation itself on the exact day of its 100th anniversary.

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