The film operates within a traditional masculine framework. There is no evidence of queer narratives or non-cisnormative identities, as the story focuses on socio-economic pressures on men.

The narrative is heavily centered on male protagonists, reflecting the patriarchal structures of the era. It lacks significant female agency or the subversion of traditional gender hierarchies.

The cast is culturally homogenous, reflecting the film's focus on South Korean national identity. It explores post-colonial reality rather than utilizing intersectional racial blending.

The film excels in critiquing rapid capitalist expansion and industrialization. It uses the protagonists' social friction to express systemic disillusionment with national progress and authority.

No characters with visible or invisible disabilities are central to the plot. Any sense of disability is metaphorical, representing the urban environment's failure to accommodate working-class citizens.