You are here:

I, Monster

Name: I, Monster
Director: Stephen Weeks
Released: 1971
Duration: 70 min

Representation Score

2.8/10

Limited

1971

Director

Stephen Weeks

Runtime

70 minutes

Average Rating

No ratings yet

New Showbiz Analysis

I, Monster is a traditional psychological horror film that adheres to the social and cultural norms of the early 1970s. It explores identity and morality through a conventional lens, focusing on individual experiences within a homogeneous society. The film upholds the status quo of its time, avoiding disruption of gender, racial, or social hierarchies. It lacks the complexity and critical engagement found in more contemporary works. Overall, I, Monster exemplifies the typical British genre filmmaking of the era, centered on internal conflicts within a uniform social context.

Watch this, not that →

Category Breakdown

Does I, Monster have LGBTQ+ representation?

Minimal

The film focuses on a single male psychological struggle and does not include non-binary or LGBTQ+ narratives that challenge traditional gender roles.

How does I, Monster portray gender?

Limited

The story primarily revolves around the male experience, particularly Dr. Marlowe's disintegration. It lacks meaningful roles for women, focusing instead on male-driven conflicts.

How racially and ethnically diverse is I, Monster?

Limited

The production reflects the demographic homogeneity of 1970s British genre cinema. The cast is predominantly white, set within a culturally insulated, upper-class estate.

How does I, Monster represent religion and culture?

Limited

The film follows a traditional Western perspective, emphasizing individual morality and scientific arrogance. It portrays a wealthy, established social class without addressing broader societal issues.

Does I, Monster include disability representation?

Fair

The movie explores themes of mental instability and psychological fragmentation but relies on typical horror clichés of the 'mad scientist' rather than offering nuanced depictions of neurodivergence.

Present on Screen

Examines complex themes of mental instability and psychological fragmentation through its main character.
Avoids overtly mocking portrayals of madness.

Limited or Absent

Needs more female characters with significant roles in the story.
Uses traditional 'mad scientist' clichés instead of nuanced depictions of neurodivergence.
Features a predominantly white cast and setting, lacking racial or ethnic diversity.

Official Synopsis

Christopher Lee stars in this Amicus production of “Dr. Jekyll & Mr. Hyde” where the names have been changed to Dr. Marlowe and Mr. Blake. Lee as Dr. Marlowe experiments with intravenous drugs that are suppose to release inner inhibitions. So comes forth Mr. Blake (also Lee) who gets more monstrous with each transformation. Peter Cushing plays his friend and colleague, Dr. Utterson.

How are these scores produced? →