The film lacks any evidence of non-heteronormative identities or same-sex intimacy. The narrative focuses on a traditional romantic or spiritual connection between the leads.

The plot is driven by a male archaeologist's perception of a woman's identity. This dynamic suggests female agency may be secondary to the male protagonist's spiritual pursuits.

The film engages with Aztec culture and features a Mexican woman as a central figure. However, it risks treating indigenous heritage as an exoticized backdrop for a Westerner's journey.

Themes of mysticism and reincarnation move the story away from Western Christian morality. Yet, the premise risks reinforcing colonial tropes by using Western intellectualism to validate indigenous identity.

There is no evidence of characters with physical or neurodivergent disabilities within the film's context.