
The Party Is Over
1960

Representation Score
Fair
1973
Director
Raymundo Gleyzer
Runtime
113 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Traitors is a powerful piece of cinema that critiques colonial and class-based structures using a Third Cinema framework. It excels by centering the underrepresented through authentic, ability to act-driven portrayals of the working class. While the film effectively deconstructs class hierarchies and criticizes cultural norms, it lacks representation in the LGBTQ+ and disability sectors. Despite its socio-political depth, these omissions prevent a higher overall score. Ultimately, the film’s strength lies in its intentionality, prioritizing the voices of the proletariat over traditional spectacle.
Category Breakdown
The film does not include any characters who identify as LGBTQ+. There is no representation of non-cisgender identities.
Women are shown as active participants in political organization and survival efforts. The film avoids depicting them in submissive roles by highlighting their domestic and labor-related lives.
The film centers on the rural proletariat and underrepresented laborers. Using non-professional actors from the working class adds authenticity and ability to act to the subjects.
The narrative critiques capitalist land ownership and Western institutions. It emphasizes collective organization and class-based identity over individualist ideals.
There is no specific evidence of neurodivergence or disability being portrayed as central narrative arcs. The film focuses on the physical realities of labor.
Present on Screen
Limited or Absent
Official Synopsis
Based on a true story, the film narrates the life of a fictitious Peronist union leader who, after years of militancy, gains power in the union during the 1960s and gradually becomes a corrupt bureaucrat.

1960

1967

1990

1971

1975

1978

1976

2006
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.