The film adheres to conventional social structures typical of early 90s family comedies. There is no evidence of non-cisnormative gender identities or narratives that engage with heteronormativity.

The narrative is driven by the male members of the troupe. While Juliana possesses professional agency as an engineer, the comedic weight and physical agency remain concentrated within the male ensemble.

The film features significant racial diversity through the casting of Mussum, a Black performer, in a prominent role. However, it relies on established comedic personas rather than deconstructing racial tropes.

The setting prioritizes escapism over social critique. While the characters utilize 'malandro' archetypes to navigate authority, the film does not actively engage in subverting traditional values.

There is no evidence of characters with visible or invisible disabilities being portrayed with agency. The focus remains on the physical slapstick of the troupe.