
Young Lucrezia
1974

Representation Score
Minimal
1953
Not RatedDirector
Christian-Jaque
Runtime
120 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Christian-Jaque’s historical drama is rooted in its time, adhering to traditional views on race and sexuality. The film lacks representation of LGBTQ+ individuals or racial diversity, maintaining an ethnically homogeneous cast. However, the film gains depth through its critique of institutional power. By presenting the Papacy as a site of systemic corruption, the story moves beyond simplistic moral judgments. Ultimately, the film balances a rigid social structure with a nuanced exploration of how individuals navigate corrupt political and religious hierarchies.
Category Breakdown
The film follows traditional structures typical of 1950s period dramas, focusing on family duties and romantic conflicts rather than diverse gender identities.
Lucrezia is portrayed as both a political tool and someone with personal ability to act. Though she often submits to male authority, her secret relationship allows her to challenge existing power structures.
The cast is ethnically homogeneous, reflecting both the 16th-century Italian setting and mid-century European cinematic conventions. There is no evidence of diverse racial representation.
The film critiques the Papacy by showing the intersection of religious authority and corruption. It questions the Church's moral standing through a lens of moral relativism.
The film does not address visible or invisible disabilities.
Present on Screen
Limited or Absent
Official Synopsis
In the early 16th century, Italy is ruled by the powerful Borgia family, led by César Borgia and his sister Lucrèce. In a ruthless power play, César plots to have his sister’s husband murdered. But without her brother’s knowledge, Lucrèce has taken a strong lover who will challenge the Borgias.

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