The film focuses entirely on the platonic, intellectual bond between Holmes and Watson. There are no depictions of non-cisnormative identities or same-sex intimacy. It adheres strictly to the heteronormative structures of the 19th century.

Narrative agency is almost exclusively reserved for male characters and their professional camaraderie. While Mrs. Hudson appears, she serves a functional, peripheral role as a landlady. The film reflects a patriarchal, period-accurate social hierarchy.

The cast is highly homogeneous, presenting a predominantly white, European lens of Victorian London. There is an absence of non-Anglo-Saxon characters in prominent roles, mirroring the demographic exclusivity of the era.

The story operates within a framework of Western historical realism and traditional social etiquette. It follows a standard detective procedural format that respects established institutional norms and the existing Victorian class system.

The film lacks a significant focus on physical disability or neurodivergence. Holmes's eccentricities and hyper-fixations are treated as intellectual idiosyncrasies rather than being explored through the lens of disability or agency.