The film adheres to the heteronormative social structures of the Edwardian era. It focuses on the platonic, professional partnership between Holmes and Watson, with no depiction of same-sex intimacy.

Women primarily function as clients or domestic figures within the social milieu. The narrative centers on male intellect and leadership, reinforcing the conventional gender roles of the period.

The cast is predominantly white and European, reflecting the historical context of the British Empire. The film presents a homogeneous social landscape without utilizing contemporary diversification methods.

The production maintains a classicist lens focused on the transition of eras. It avoids promoting singular religious morality, emphasizing instead the secular, intellectual rigor of the detective genre.

There is no significant focus on visible or invisible disabilities. Characters with physical or mental health challenges are not central to the narrative or the characters' agency.