The film adheres strictly to Victorian social mores. There is no depiction of non-cisnormative identities or same-sex intimacy, maintaining a traditional heteronormative framework.

Female characters are largely relegated to domestic or socialite roles. While depicted with dignity, they lack the agency to drive the primary plot, which centers on Holmes and Watson.

Casting is overwhelmingly white and European, reflecting the Soviet production context. Despite plot connections to colonial wealth, onscreen presence of non-Anglo-Saxon characters remains minimal.

The film presents a classicist view of Western history without critiquing class or capitalism. It functions as a traditionalist period piece set against established social structures.

There is no significant presence of characters with visible or invisible disabilities. The narrative does not utilize disability as a central theme or character development tool.