The film lacks LGBTQ+ characters or non-heteronormative identities. Interpersonal dynamics remain strictly within the traditional familial and romantic structures of the 19th century.

Narrative agency is concentrated in male protagonists like Valjean and Javert. While Fantine illustrates female exploitation under patriarchy, women are often depicted as vulnerable to systemic forces.

Casting reflects the demographic homogeneity of 19th-century France. The production focuses on class-based distinctions rather than diverse ethnic ensembles or race-bent casting.

The film offers a sophisticated critique of Western legal and religious institutions. It deconstructs these systems as inflexible structures that fail to account for human compassion and morality.

Physical hardship and the toll of poverty are present but serve as markers of socioeconomic status. There is no nuanced exploration of neurodivergence or physical disability as central themes.