The film lacks focus on non-cisnormative identities or same-sex intimacy. Instead, it centers on heteronormative peasant and aristocratic family structures, using sexual politics to reinforce class-based power dynamics.

Women possess influence within domestic and romantic spheres but operate within traditional patriarchal structures. The narrative portrays these gender hierarchies as inherent to the historical period rather than seeking to subvert them.

The cast is largely homogeneous, reflecting the demographic reality of early 20th-century rural Italy. The film replaces modern racial intersectionality with a deep focus on the 'othering' of the proletariat class.

The film excels in its critique of capitalism and the landed aristocracy. It frames the struggle of sharecroppers and the rise of Fascism as a systemic disruption of class equity.

There is no discernible focus on visible or invisible disabilities. Characters with physical limitations do not serve as central agents or subjects of nuanced representation.