The film lacks any evidence of non-heteronormative identities. The romance elements align with the traditional heteronormative structures typical of 1930s crime cinema.

Ma Delano serves as a central matriarch managing both a business and a household. However, her agency remains largely tied to domestic duties and familial roles.

The narrative focuses on a specific family unit in Coney Island. There is no indication of intersectional casting or a departure from the era's homogeneous demographic norms.

The story utilizes prohibition-era themes like rum-running and accidental murder. These tropes follow standard moralistic frameworks rather than offering systemic or secular critiques.

There is no mention of characters navigating physical, sensory, or neurodivergent experiences within the narrative.