The film adheres to the traditional romantic and political pairings of 17th-century tragedy. There is no evidence of non-heteronormative identities or same-sex intimacy.

Phèdre provides meaningful representation, possessing agency that drives the tragic trajectory. The film's flat delivery avoids submissive tropes, though it does not actively seek to subvert gender hierarchies.

Casting is largely homogeneous, reflecting European theatrical traditions. The production does not utilize race-bent casting or diverse ethnic compositions to disrupt the classical Mediterranean setting.

The film deconstructs Western norms by performing classical French text amidst Roman ruins. It treats language as a physical object, critiquing mainstream Western entertainment structures through an austere aesthetic.

No visible or invisible disabilities are portrayed. Characters are presented through mythological and aristocratic archetypes, which precludes the exploration of neurodivergence or physical disability.