The film lacks explicit LGBTQ+ characters or non-heteronormative identities. The narrative focuses on survival within a colonial framework, offering little room for queer-coded subtext.

Traditional gender hierarchies are disrupted as social roles erode. The breakdown of order subverts the 'competent leader' trope, challenging the stability of patriarchal structures.

A predominantly white European cast portrays the explorers, while the indigenous population serves as a backdrop. This dynamic critiques the 'civilizing mission' but lacks high-agency non-white roles.

The film offers a profound critique of Western moral exceptionalism. It portrays European explorers as agents of savagery, framing Western expansion as a catalyst for social decay.

There is no meaningful representation of neurodivergence or physical disability. Psychological deterioration is framed through primal regression and madness rather than nuanced mental health exploration.