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Second Honeymoon

Name: Second Honeymoon
Director: Walter Lang
Released: 1937
Duration: 84 min

Representation Score

0.5/10

Minimal

1937

Director

Walter Lang

Runtime

84 minutes

Average Rating

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New Showbiz Analysis

Second Honeymoon serves as a historical artifact of the 1930s studio system. It prioritizes conventional romantic comedy clichés and reinforces the era's prevailing social and gender norms rather than challenging them. The narrative structure is designed to maintain the status quo of the upper-class social order. It focuses on character-driven conflict within a rigid framework of socioeconomic homogeneity. Ultimately, the film lacks meaningful representation of diverse identities, focusing instead on traditional marital conflicts and established social hierarchies.

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Category Breakdown

Does Second Honeymoon have LGBTQ+ representation?

Minimal

The film follows strict heterosexual and cisgender norms. There is no indication of queer themes or non-binary gender identities.

How does Second Honeymoon portray gender?

Limited

Vicky Benton takes control by standing up to her husband's possessiveness. However, the comedy relies on traditional male dominance and marital negotiation clichés.

How racially and ethnically diverse is Second Honeymoon?

Minimal

The setting reflects a homogeneous, predominantly white, Anglo-Saxon demographic. There is no significant evidence of racial diversity or varied ethnic perspectives.

How does Second Honeymoon represent religion and culture?

Limited

The story reinforces Western social structures and the sanctity of the nuclear family. It emphasizes a moral framework based on class-based respectability.

Does Second Honeymoon include disability representation?

Minimal

No characters are defined by physical or neurodivergent conditions. There are no visible or invisible disabilities portrayed within the narrative.

Present on Screen

The female lead, Vicky Benton, demonstrates ability to act by standing up to her husband's controlling behavior.
The film provides a clear look at the social hierarchies and romantic clichés of the 1930s era.

Limited or Absent

The film lacks any representation of LGBTQ+ identities or queer themes.
The cast and setting are racially homogeneous, offering little ethnic diversity.
There is no inclusion of characters with physical or neurodivergent disabilities.

Official Synopsis

Raoul McLish stops over in Miami Beach where he runs into his ex-wife, Vicky Benton, and her new husband Bob, a belt manufacturer. At first Bob enjoys Raoul's presence - in part because Vicky is his not Raoul's and in part because Raoul is a lot of fun. The fun wears thin for Bob as his seriousness and possessiveness take over. When Bob leaves for a few days to settle a labor dispute at his factory, Vicky and Raoul spend time together, Winchell's column implies untoward behavior, Bob barks at Vicky, and that gets her back up. Can things be sorted out? Help comes from Raoul's upright valet, McTavish, and a principled cigarette girl, Joy, whom Raoul picks up.

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