The film contains no visible LGBTQ+ characters or non-heteronormative identities. The narrative adheres strictly to the heteronormative social structures of the 1930s.

Jane functions primarily as a motivation for the male protagonist rather than an agent of her own destiny. Tarzan embodies a hyper-masculine archetype, while female characters occupy passive roles.

The film reflects colonialist perspectives, using indigenous African tribes as narrative obstacles or a primitive backdrop. The racial hierarchy is rigid and adheres to Western supremacy conventions.

The story promotes a traditional Western worldview, framing civilization as a standard of order against jungle chaos. It lacks any critique of Western institutions or capitalism.

There is no significant evidence regarding the portrayal of physical or neurodivergent disabilities in this production.