
Behind the Door
1919

Representation Score
Minimal
1917
Not RatedDirector
Cecil B. DeMille, Joseph Levering
Runtime
63 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Little American is a traditional wartime drama that emphasizes nationalistic fervor over social complexity. Its narrative structure reinforces identity and established Western hierarchies rather than challenging them. The film relies on conventional archetypes, presenting a world of clear moral binaries. This approach limits the depth of its characters, using them primarily as symbols for patriotism or victimhood rather than nuanced individuals. Ultimately, the production reflects the homogeneous social standards of 1917. It lacks the variety and subversion of clichés needed to represent a diverse range of human experiences.
Category Breakdown
The film follows traditional heterosexual and cisgender relationships. It does not depict any non-cisgender identities or same-sex relationships.
The female protagonist mainly serves as a witness and symbol of innocence. Her role is defined by her connection to male protagonists and traditional protective roles.
The cast is mostly white and Anglo-Saxon, emphasizing American and French identities. The film lacks racial or ethnic diversity, reinforcing a homogeneous Western viewpoint.
The story upholds Allied wartime ideals and heightened patriotism. It does not question established social orders, religions, or capitalist systems, instead favoring a singular moral clarity.
There is no representation of physical or neurodivergent disabilities. Characters are portrayed through idealized wartime archetypes.
Present on Screen
Limited or Absent
Official Synopsis
A young American has her ship torpedoed by a German U-boat but makes it back to her ancestral home in France, where she witnesses German brutality firsthand.

1919

1925

1927

1958

1927

1932

1944

2005
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