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We

Name: We
Director: Artavazd Peleshian
Released: 1969
Duration: 24 min

Representation Score

3.9/10

Limited

1969

Director

Artavazd Peleshian

Runtime

24 minutes

Average Rating

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New Showbiz Analysis

Artavazd Peleshian’s *We* is a profound exploration of collective life that shifts the focus from individual heroes to the rhythm of the masses. Using poetic montage and industrial textures, the film moves away from traditional character arcs to highlight the movement of the masses. The film's strength lies in its cultural and ideological stance. It offers a sophisticated critique of Western-centric storytelling by highlighting Armenian identity and socialist ideals, emphasizing the dignity of labor and the beauty of shared human endeavors. However, due to its experimental and non-narrative structure, the film lacks the interpersonal dynamics needed to explore specific identities like LGBTQ+ or disability. It functions more as a philosophical study of labor rather than a character-driven drama.

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Category Breakdown

Does We have LGBTQ+ representation?

Minimal

The film doesn't show any romantic or personal relationships between characters. Instead, it focuses on industrial textures and doesn't depict sexual orientation or gender identity.

How does We portray gender?

Fair

By focusing on a unified, working mass, the film breaks down traditional gender roles. Although it doesn't directly challenge gender norms, the emphasis on communal movement creates a neutral environment.

How racially and ethnically diverse is We?

Good

This film is a significant part of Armenian cinema, challenging Western storytelling by centering the Armenian experience through a unique, poetic style.

How does We represent religion and culture?

Excellent

The film highlights the value of labor and collective efforts. It emphasizes the importance of community over individual success.

Does We include disability representation?

Minimal

There are no specific characters with disabilities in the film. Its abstract and experimental nature avoids using disability as a plot element.

Present on Screen

Challenges Western narrative dominance by centering Armenian cinematic identity.
Breaks down traditional gender roles through a focus on collective action.
Offers a sophisticated critique of capitalist competition and individual achievement.

Limited or Absent

Lacks character-driven dynamics to explore LGBTQ+ or gender identity.
Does not feature specific representations of disability or individual experiences.
Its abstract nature limits the depiction of diverse interpersonal relationships.

Official Synopsis

Monumental picture exploring the identity and fate of the Armenian nation.

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