The film lacks explicit evidence of non-heteronormative identities or same-sex intimacy. The narrative focuses on traditional Middle Ages structures like convents and apprenticeships.

Gender is explored through institutional roles, such as a girl entering a convent and a male-dominated executioner's guild. This provides a platform for female interiority within historical hierarchies.

Set in rural medieval Italy, the film reflects the demographic homogeneity of the era. There is no evidence of multiculturalism or race-bent casting.

The story engages deeply with the Catholic Church and sacred themes. It introduces systemic tension through the figure of the executioner on the fringes of society.

While the film addresses physical suffering and execution, disability is not used as a central narrative device or character-driven arc.