The film contains no identifiable LGBTQ+ characters or narratives. It adheres to the standard social structures of 1960s Japanese genre cinema without subverting gendered intimacy.

The story centers on male-driven conflict and agency. Female characters occupy conventional roles rather than driving the plot through intellectual or physical dominance.

The cast is ethnically homogeneous, reflecting its roots in Japanese mythology. The film focuses on celebrating indigenous folklore rather than pursuing modern intersectional blending.

The narrative critiques institutional corruption by using yokai to punish greedy developers and corrupt magistrates. It highlights the tension between modern expansionism and spiritual preservation.

There is no discernible focus on visible or invisible disabilities. Characters with physical or neurodivergent traits are not utilized as central narrative drivers.