The film lacks evidence of non-heteronormative identities or narratives. It focuses on general psychological horror rather than identity-driven themes.

The anthology likely relies on traditional gendered tropes, often positioning women as victims. There is no documented evidence of subverting gender hierarchies.

As a Japanese production, the cast is predominantly East Asian. This reflects the domestic setting rather than an intentional disruption of casting norms.

The film explores the 'horror of humanity' through cautionary tales. This cynical view of social cohesion may offer a subtle critique of societal structures.

There is no evidence of neurodivergent characters or individuals with physical disabilities portrayed with agency within the film.