
Days of Buffalo Bill
1946

Representation Score
Minimal
1945
PassedDirector
Thomas Carr
Runtime
56 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Rough Riders of Cheyenne is a typical B-Western from the 1940s, relying heavily on established genre clichés such as frontier vigilantism and localized interpersonal conflicts. While the film briefly subverts gender norms through a character's disguise, it lacks complexity in addressing multiple aspects of diversity. The story stays focused on a singular, homogeneous perspective of the American frontier, maintaining the era's social and racial hierarchies. Ultimately, the film serves as a straightforward example of mid-century genre filmmaking, prioritizing formulaic storytelling over social commentary or challenging traditional power structures.
Category Breakdown
The film does not include any LGBTQ+ characters or themes related to non-straight identities.
The movie upholds traditional gender roles. Melinda Sterling's use of a masculine disguise is used as a plot device rather than a critique of gender roles.
The story focuses on a homogeneous cast of Anglo-Saxon characters. There are no significant roles for characters from diverse backgrounds.
The film emphasizes traditional Western values like frontier justice and ranching. It adheres to the moral framework of the time without questioning Western institutions.
There are no depictions of neurodivergence or physical disabilities in the narrative.
Present on Screen
Limited or Absent
Official Synopsis
Sunset returns to find the Carson-Sterling feud still going. Sterling has been killed and it's not long before Andrew Carson is murdered. To end the feud Sunset challenges Martin Sterling to a shootout. Unknown to Sunset, Martin's sister Melinda has waylaid her brother and now appears for the shootout disguised in her brother's clothes.

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