The film lacks any discernible LGBTQ+ characters or subversions of heteronormative structures. It focuses entirely on masculine archetypes and traditional gendered conflict.

Narrative tension is driven by male-centric conflict between two men. Female characters remain peripheral, serving primarily as catalysts for action rather than independent agents.

The film disrupts the monolithic white hero trope by centering a Mexican peasant with high agency. It uses ethnic tension to critique historical colonial dynamics.

Sollima deconstructs traditional authority, portraying government entities as corrupt instruments of oppression. The narrative favors moral relativism and anti-authoritarian sentiment over institutional law.

There are no prominent depictions of visible or invisible disabilities that serve as central character arcs or plot devices.