
Making a Killing: Guns, Greed and the NRA
2016

Representation Score
Good
2005
Not RatedDirector
Robert Greenwald
Runtime
98 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Robert Greenwald’s documentary excels as a critique of corporate dominance. By shifting the focus from corporate success to the lived experiences of a globalized workforce, the film challenges traditional hierarchies of power and meritocracy. The work achieves its highest marks through a sophisticated deconstruction of Western economic institutions. It effectively uses an anti-capitalist framework to examine how large-scale corporations impact diverse, low-income populations. However, the film's scope is narrow regarding specific identity-based representation. It lacks meaningful engagement with LGBTQ+ identities and disability, focusing instead on broader socioeconomic and cultural disruptions.
Category Breakdown
The film does not include stories or character arcs focused on LGBTQ+ lived experiences. It does not center on gender expressions that don't match the sex assigned at birth or challenge the assumption that everyone is straight.
The documentary highlights women working in low-wage retail jobs. It portrays women as key subjects in the critique of systemic economic issues rather than just domestic figures.
The film includes voices from various geographic and ethnic backgrounds, ranging from the Midwest to Mexico. It provides significant roles to workers of color affected by globalization.
The narrative serves as a strong critique of neoliberal capitalism and consumerist culture. It portrays corporate institutions as disruptive forces to local community structures and traditional family stability.
There is no intentional focus on neurodivergence, physical disabilities, or chronic illness. While socioeconomic struggles may intersect with disability, these identities are not central narrative drivers.
Present on Screen
Limited or Absent
Official Synopsis
This documentary takes the viewer on a deeply personal journey into the everyday lives of families struggling to fight Goliath. From a family business owner in the Midwest to a preacher in California, from workers in Florida to a poet in Mexico, dozens of film crews on three continents bring the intensely personal stories of an assault on families and American values.

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