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Iraq for Sale: The War Profiteers

Name: Iraq for Sale: The War Profiteers
Director: Robert Greenwald
Released: 2006
Duration: 75 min

Representation Score

5.4/10

Fair

2006

Director

Robert Greenwald

Runtime

75 minutes

Average Rating

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New Showbiz Analysis

Robert Greenwald’s documentary serves as a focused critique of the relationship between the state and private capital. It emphasizes how profit motives can overshadow human welfare and international sovereignty. The film's strength lies in its examination of global dominance and its ability to challenge nationalist narratives. By highlighting the voices of those harmed by 'sweetheart deals,' it offers a critical perspective on Western intervention. However, the film lacks diverse representation. Its focus on institutional power dynamics leaves little room for exploring gender, sexual orientation, or the personal experiences of individuals with disabilities.

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Category Breakdown

Does Iraq for Sale: The War Profiteers have LGBTQ+ representation?

Minimal

The documentary does not address LGBTQ+ identities or stories. These themes are not part of the film's focus on corporate accountability.

How does Iraq for Sale: The War Profiteers portray gender?

Fair

The film centers on masculine environments such as military operations and corporate boardrooms. Female characters have limited influence in these settings.

How racially and ethnically diverse is Iraq for Sale: The War Profiteers?

Fair

The documentary explores the impact of Western intervention on Iraqi sovereignty. While it focuses on American corporations, it includes perspectives from those affected by the occupation.

How does Iraq for Sale: The War Profiteers represent religion and culture?

Excellent

The film critiques neoliberal capitalism and 'disaster capitalism.' It highlights the corruption between government and corporate interests, challenging Western economic models.

Does Iraq for Sale: The War Profiteers include disability representation?

Limited

The film uses depictions of physical and mental health issues caused by war to show corporate negligence. It focuses on systemic problems rather than the personal experiences of those with disabilities.

Present on Screen

Offers a strong critique of neoliberal capitalism and 'disaster capitalism.'
Uses a post-colonial lens to examine the impact of foreign intervention.
Highlights the voices of those harmed by corporate and government corruption.

Limited or Absent

Lacks meaningful roles for female characters.
Does not address LGBTQ+ identities or narratives.
Uses disability depictions mainly to highlight corporate negligence.

Official Synopsis

Documentary portraying the actions of U.S. corporate contractors in the U.S.-Iraq war. Interviews with employees and former employees of such companies as Halliburton, CACI, and KBR suggest that government cronyism is behind apparent "sweetheart" deals that give such contractors enormous freedom to profit from supplying support and material to American troops while providing little oversight. Survivors of employees who were killed discuss the claim that the companies cared more for profit than for the welfare of their own workers, and soldiers indicate that the quality of services provided is sub-standard and severely in contradiction to the comparatively huge profits being generated. Also depicted are the unsuccessful attempts by the filmmakers to get company spokesmen to respond to the charges made by the interviewees.

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