The film lacks any discernible presence of non-heteronormative identities. Romantic arcs are strictly centered on heterosexual pairings without queer subtext.

The female lead displays moderate agency by pursuing divorce and new romantic interests. However, the conflict remains tied to traditional patriarchal social consequences.

The cast is homogeneous, reflecting the high-society urban environments of the late 1920s. There is no evidence of racial blending or non-Anglo-Saxon characters.

The narrative upholds traditional Western social hierarchies and upper-class lifestyles. It treats marital instability as a comedic social inconvenience rather than a systemic critique.

There are no visible or invisible disabilities portrayed within the character arcs. The cast is presented through a lens of able-bodied social performance.