Face Value
1991
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Representation score: 5.9 out of 10
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The Way South
Representation Score
5.9/10
Fair
1981
Director
Johan van der Keuken
Runtime
143 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film serves as a socio-political travelogue that moves from the civil unrest in Amsterdam through Italy to Egypt. Its primary strength lies in its refusal to maintain a stable, Western perspective, instead adopting a fragmented, observational approach. By documenting squatting actions and coronation riots, the film highlights the tension between grassroots movements and established institutions. The geographical shift towards North Africa ensures the film engages with diverse cultural landscapes, avoiding a homogeneous European viewpoint. However, the film's observational style means it lacks specific focus on individual identity politics. While it deconstructs power structures, it does not explicitly address gender hierarchies or LGBTQ+ narratives.
Category Breakdown
Does The Way South have LGBTQ+ representation?
The film does not focus on queer-centric narratives or non-cisgender identities. Although the Amsterdam setting suggests a progressive environment, there are no specific representations of LGBTQ individuals.
How does The Way South portray gender?
The documentary focuses on societal issues through personal stories rather than challenging gender hierarchies. It avoids highlighting institutional leaders and instead centers on the everyday lives of ordinary people.
How racially and ethnically diverse is The Way South?
The journey from Europe to Egypt breaks away from a Eurocentric perspective. By emphasizing North African landscapes, the film offers significant visibility to non-Western viewpoints.
How does The Way South represent religion and culture?
The film challenges Western institutional narratives by documenting social unrest and global movements. It prioritizes interconnectedness over Western isolationism through its focus on Egypt.
Does The Way South include disability representation?
There is no indication of the depiction of physical or neurodivergent disabilities in the film.
Present on Screen
- Breaks away from a Eurocentric perspective by incorporating North African and Mediterranean landscapes.
- Challenges traditional Western institutional narratives through documenting social unrest.
- Provides visibility for non-Western perspectives via its journey into Egypt.
Limited or Absent
- Lacks explicit representation of LGBTQ+ identities or queer-centric narratives.
- Does not specifically address the subversion of gender hierarchies.
- Provides no visible evidence regarding disability representation.
Official Synopsis
Johan van der Keuken went against the grain in 1980: from Amsterdam (on April 30 with the coronation riots and squatting actions) via Paris, southern France and Italy to Egypt. He made his personal travelogue in three parts for VPRO television. Later, he fused the three parts into one long movie.
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