The film contains no discernible LGBTQ+ characters or non-heteronormative identities. It adheres to the social norms of its mid-20th-century setting without subverting sexual orientation.

Women are largely depicted in domestic or subordinate roles within a patriarchal structure. The narrative does not actively seek to challenge traditional gender hierarchies or conventional leadership roles.

The film centers the indigenous and mestizo experience through a predominantly Mexican cast. It avoids Western-centric whitewashing by prioritizing the agency of the local working class.

The narrative offers a complex critique of religious and political institutions. It examines the friction between marginalized classes and established entities through the lens of colonial legacies.

There is insufficient evidence to determine if specific disabilities serve as central narrative drivers. The film focuses more on the general psychological toll of social upheaval.