Yhden yön hinta
1952
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Diversity score: 2.5 out of 10
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091: Police speaking
1960
Director
José María Forqué
Runtime
96 minutes
Average Rating
No ratings yetSynopsis
A police inspector makes his service in a patrol car attenging emergency calls. A memory hauns him, the death of her daughter, who was killed hit by a car that fled. The car is located and the inspector goes there and confrontation will be violent.
Where to Watch
Diversity & Representation
Overall Score
2.6/10
Limited
Category Breakdown
LGBTQ+ Representation
The film follows a conventional crime narrative centered on familial loss. There is no evidence of non-cisnormative identities or stories that challenge heteronormative structures.
Gender Representation
The story focuses on a male inspector and his personal trauma. While a daughter's death drives the plot, agency remains concentrated in the male lead.
Racial & Ethnic Diversity
The production reflects the demographic homogeneity typical of 1960s Spanish cinema. There is no indication of intentional ethnic blending or diverse casting.
Religious & Cultural Diversity
The narrative emphasizes themes of law, order, and personal retribution. It reinforces institutional authority rather than critiquing traditional morality or the state.
Disability Representation
No specific details regarding the portrayal of physical or neurodivergent disabilities are available.
Strengths
- The film provides a focused, character-driven exploration of personal trauma and grief within a crime genre framework.
Areas for Improvement
- The narrative lacks intersectional identities and fails to subvert the social hierarchies or gender roles common to the 1960s.
- The story relies on traditional tropes that reinforce institutional authority rather than offering diverse perspectives on justice.
AI Analysis
Police Calling 091 (1960) operates as a traditional noir-inflected crime drama. The plot is driven by individual psychological motivation, specifically a protagonist's grief over his deceased daughter, rather than a critique of social or institutional structures. The film adheres to the established cinematic frameworks of its era. It prioritizes classical genre tropes and the pursuit of justice through legal and confrontational means, reflecting the standard conventions of mid-century Spanish cinema.
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