
On the Barricade
1907

Representation Score
Limited
1929
Director
Leonid Trauberg, Grigori Kozintsev
Runtime
92 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The New Babylon is a seminal work of Soviet Montage that prioritizes the deconstruction of class hierarchies over individual identity politics. Its narrative structure challenges the legitimacy of the state and the capitalist order. While the film excels in its radical critique of Western institutional power, it lacks representation of LGBTQ+ and disability issues. The focus remains on the proletariat's struggle as the main driver of historical change. Ultimately, the film's strength lies in its ideological commitment to challenging traditional power structures, while it overlooks specific identity-based nuances.
Category Breakdown
The film focuses on socioeconomic and class-based conflicts without depicting any queer narratives or non-cisgender identities.
Women are shown as active participants in the revolutionary movement rather than passive observers. Despite male leadership taking center stage, female Communards have meaningful roles.
The film portrays a multi-ethnic proletariat within the urban setting of 19th-century Paris. However, the narrative emphasizes class identity over specific ethnic or racial details.
The film critically examines Western institutional structures and organized religion using a Marxist framework to highlight inherent oppression.
There is no depiction of characters with visible or invisible disabilities having ability to act or being central to the story.
Present on Screen
Limited or Absent
Official Synopsis
In the short-lived Commune of Paris, a conscripted soldier falls in love with a Communard saleswoman. As the army cracks down on the revolutionaries, the soldier is forced to fight against the Commune, and the pair's love is put to the test.

1907

1928

1916

1983

1936

1995

1936

1981
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