The film features bisexual female protagonists who drive the narrative through non-heteronormative interactions. These characters exercise sexual agency that challenges the patriarchal structures typical of 1970s cinema.

Larraz subverts traditional hierarchies by repositioning women as dominant predators rather than passive objects. Male characters often lose their agency, becoming the vulnerable subjects in this inverted hunter/prey dynamic.

The cast is predominantly white and of European descent, reflecting the era and setting. There is a notable lack of intersectional diversity or intentional color-blind casting.

The story avoids traditional Christian morality, presenting its characters as amoral forces of nature. While it moves beyond simple good-versus-evil binaries, it lacks broader systemic or political critiques.

The narrative contains no discernible focus on visible or invisible disabilities. No characters are defined by disability as a central trait or plot device.