The film centers on female-to-female eroticism and non-heteronormative intimacy. These elements serve as the primary driver for the story's aesthetic and thematic development rather than acting as mere subplots.

Female characters possess high levels of agency, moving away from the typical damsel in distress trope. The film reconfigures power dynamics by centering the narrative on female protagonists and seductive authority.

The cast is predominantly white and homogeneous, reflecting the Mediterranean setting and cinematic norms of 1971. There is no evidence of diverse ethnic representation or race-bent casting.

The narrative favors a dreamlike detachment over rigid moral frameworks. It prioritizes personal obsession and psychological truth over the reinforcement of traditional Western social or religious institutions.

There are no prominent depictions of visible or invisible disabilities that serve as central character arcs or plot drivers.