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Four in the Afternoon

Name: Four in the Afternoon
Director: James Broughton
Released: 1951
Duration: 15 min

Representation Score

5.3/10

Fair

1951

Not Rated

Director

James Broughton

Runtime

15 minutes

Average Rating

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New Showbiz Analysis

James Broughton’s avant-garde approach brings a focus on non-conformity and the disruption of social norms. Through poetic vignettes, the film offers a nuanced look at aging and human experience beyond traditional archetypes. However, the film's historical context limits its ability to provide specific demographic information about the cast. This results in a lower score for racial and ethnic diversity. Overall, the film stands out as a subversive piece of experimental cinema. It prioritizes subjective, non-linear truths over conventional narrative structures, providing a fluid exploration of the human condition.

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Category Breakdown

Does Four in the Afternoon have LGBTQ+ representation?

Good

The film uses experimental storytelling to focus on personal experiences rather than traditional romantic stories. Specific LGBTQ identities are not explicitly mentioned, but the vignettes emphasize individual feelings.

How does Four in the Afternoon portray gender?

Fair

The film explores gender through poetic vignettes that highlight emotional vulnerability. By focusing on existential flux, it challenges the rigid gender roles of mid-century domestic life.

How racially and ethnically diverse is Four in the Afternoon?

Limited

The film concentrates on the passage of time and psychological development rather than racial identity. There is no indication of a diverse cast in this historical setting.

How does Four in the Afternoon represent religion and culture?

Good

Poetry is used to narrate vignettes in a way that emphasizes existential themes. This avant-garde approach breaks from typical Western storytelling methods.

Does Four in the Afternoon include disability representation?

Minimal

There is no indication that disability or neurodivergence plays a central role in the vignettes.

Present on Screen

The experimental structure challenges mid-century domestic hierarchies and rigid gender roles.
Broughton's poetic approach prioritizes personal experience over traditional romantic stories.
The film disrupts standard Western storytelling through its non-linear, avant-garde framework.

Limited or Absent

The film lacks explicit exploration of racial and ethnic identity.
There is no visible representation of disability or neurodivergence within the vignettes.
Specific character identities and demographic details remain largely unstated.

Official Synopsis

Poems narrate four afternoon vignettes; each protagonist is older than the one in the previous sketch.

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