The film focuses on heteronormative sexual pursuit and grotesque physicalities. It lacks explicit non-cisnormative identity markers or dedicated LGBTQ+ narrative arcs, though it subverts sexual taboos.

Female characters, particularly the Baroness, possess high agency and act as dominant plot drivers. The narrative deconstructs the damsel in distress trope by presenting women as intellectually cunning and sexually assertive.

The casting adheres to a homogeneous European aesthetic consistent with Gothic horror. There is a lack of visible racial or ethnic diversity within the primary cast.

The film rejects singular Christian morality in favor of postmodern irony. It critiques Western ethical frameworks by portraying traditional values as secondary to individual obsession.

Physical difference is used as a central narrative element through the aesthetics of horror. The film avoids inspiration porn, treating physical difference as an unsettling human experience.