
The Goose Princess
1989

1968
Director
Nadezhda Kosheverova
Runtime
90 minutes
Average Rating
No ratings yetSynopsis
Based on the famous fairytale "The Tinderbox" by Hans Christian Andersen. The main character of the film is a puppeteer who lives in a poor and gray world. He composes a fairy tale in which he himself, in the guise of a brave soldier, finds a flint and is helped by a kind wizard. The soldier falls in love with a spoiled, capricious princess who, as befits a princess, poses riddles to her numerous suitors. Her father, the king, is eager to see the soldier as her husband, as he believes the soldier has a great deal of gold. In the fairy tale, everything ends well, but in real life, not so much. "But life is not a fairy tale," his beloved girl says to him as she bids him farewell.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film lacks explicit depictions of LGBTQ+ identities. The narrative centers on a traditional romantic pursuit between a soldier and a princess within a conventional gender-binary framework.
Gender Representation
The princess displays intellectual agency by challenging suitors with riddles. Crucially, she subverts the passive female trope by rejecting romantic idealism and the soldier's pursuit.
Racial & Ethnic Diversity
The production maintains a culturally homogeneous aesthetic typical of its era and genre. There is no evidence of a multi-ethnic cast or diverse racial identities.
Religious & Cultural Diversity
The story critiques traditional power structures by contrasting systemic poverty with monarchical artifice. It favors a secular, realist worldview over moralistic or religious fable structures.
Disability Representation
There are no visible or invisible disabilities portrayed in the narrative. No characters are depicted with neurodivergence or physical disabilities.
Strengths
Areas for Improvement
AI Analysis
A Very Old Story functions as a meta-textual critique of the fairy-tale genre. It uses the contrast between a puppeteer's bleak reality and his fantastical creations to explore the friction between art and life. The film's strength lies in its psychological realism and its refusal to provide a traditional, idealized romantic resolution. By allowing the princess to reject the soldier, the narrative moves away from rigid folklore tropes. However, the film remains limited by a lack of modern intersectional markers. It operates within a culturally homogeneous framework that lacks representation of diverse racial identities or LGBTQ+ orientations.

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